The opening line of Chopin's autograph manuscript for the 'Raindrop' Prelude, Op. 28 No. 15, marked 'Sostenuto'
Manuscript: Frédéric Chopin, autograph / Wikimedia Commons, Public Domain

Solo / Keyboard

Associated eras: Baroque, Romantic

A prelude is, by original definition, a short piece that introduces something larger — in the Baroque era, most often paired directly with a fugue, functioning almost like a warm-up before the fugue's more rigorous counterpoint. Bach's Well-Tempered Clavier pairs a prelude and fugue in every key, and each prelude has its own distinct character despite its introductory role.

By the Romantic era, composers had detached the prelude from anything it was supposed to introduce, treating it instead as a complete, standalone character piece — usually brief, often exploring a single mood or technical idea. Chopin's 24 Preludes are the clearest example: each one is self-sufficient, with nothing following it.

Where to start listening: Bach's Prelude in C major (from the Well-Tempered Clavier, Book 1) is deceptively simple and widely recognizable; Chopin's Prelude in E minor, Op. 28 No. 4, shows the Romantic-era standalone version.